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Mewa-Nsoromma Dance and Drum Ensemble
Mewa Nsoromma Dance & Drum Ensemble Mewa-Nsoromma Dance & Drum is a dance & drum ensemble whose
members consist of an amazing group of drummers and dancers from the Philadelphia area. We bring our cultural presentations
to schools, churches, outdoor festivals, businesses, fund-raisers and more! We perform cultural music and drumming of West
Africa and the Afro-Caribbean including Traditional dances from Ghana, Guinea, Senegal, Nigeria, & Cuba. We can
bring the following to your establishment - Workshops
- Lecture-Demonstration
- Concerts/Presentation
- Individual
and group drum lessons on Bata, Djembe, Sangba & Sekere
- Individual and group dance lessons in Afro-Cuban and Akan Akom Dance
View a description of our presentations here For more information, please contact us at the following: Adwoa Tacheampongokomfoadwoa@yahoo.com215-485-1067Chuckie Josephcajeroboy@hotmail.com215-485-1069
Listen to the drums while you play Pai Gow Poker
using the pai gow poker glossary and
pai gow poker rules to learn!
Performance/Workshop Request Form
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Chuckie Joseph began his musical/drumming career at the tender age
of two with Arthur Hall Afro American Dance Ensemble. Since then, he has performed all over the world with many people and
groups including but not limited to: Spoken Hand, Mewa Dance & Drum, La Opinion, Michael Spiro, Orlando “Puntilla”
Rios, Alfredo Coyudé Vidaux, Robert “Bobby” Crowder, Greg “Peachie” Jarman, Carlos Aldama,
Adama Drame, Mbemba Bangoura, Robert “Bobbie” Artist, Sonic Liberation Front, Alo Brasil, Aña House: Awan
D’Olokun (Añabe), Olufemi Mitchell, Ama McKen…and his own father.
Chuckie playes several musical
instruments including, but not limited to: Bata, Djembe, Congas, guitar, bass, drum set, piano & timbal
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Adwoa Tacheampong is a vocalist, drummer, dancer & actor who has been performing
since the age of 10. She has been playing Afro-Cuban Batá & studying Afro-Cuban
Orisha Dance since 2003. She has been dancing Akom Akan (Ghana) dance for 10 years. She currently performs with several companies
in the Philadelphia area including PhillyBloco (Brazilian), Voices of Africa (African & Folk), Tambonito (Afro-Cuban &
Afro-Brazilian), Leana Song (Afro-Cuban & Ghanaian) and Sonic Liberation Front (Avant-garde jazz & Afro-Cuban), as
well as being on call for other musical and acting opportunities. Adwoa plays several instruments including,
but not limited to Batá, surdo, sekere, sakara, agogo, & caixa. She is an avid photographer
& writer. She continually seeks to expand her creative opportunities including studying conga drumming & continuously
strengthening her voice.
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Elizabeth Sayre started singing
and playing music as a child. She has studied, played, published articles about, taught, and organized events around
African diasporic music for 20 years. Since the early 1990s she has apprenticed with masters in Afro-Cuban, Brazilian,
Haitian, and West African drumming, and she plays congas,
sekere, batá drums, Brazilian percussion, and other instruments. In the Afro-Cuban musical vein, she studied with Omomola
Iyabunmi, Olori Oriyomi, W. Paul Lucas, Frank Williams, Clifford “Peache”
Jarman, Leonard "Doc" Gibbs, Ron Howerton, John Amira, Orlando Fiol, Felix Sanabria, Amelia Pedroso,
Lázaro Pedroso, Michael Spiro, Michel Aldama, and Freddy Martinez in Philadelphia, New York, San Francisco,
and Havana, Cuba, where she also performed with Amelia Pedroso¹s Ibbu Okun in 2000.
Since 1999 she has accompanied dance classes in New York City for former dancers
from the Conjunto Folklórico Nacional, Yoruba Andabo,
and Cutumba, some of Cuba's top professional folkloric companies. Elizabeth
is musical director of Okan Iloro, an all women's music and dance ensemble, and was percussion captain for Obini Ashe, a 17-woman
Afro-Cuban folkloric ensemble that appeared at Symphony Space in New York and the Painted Bride in 2003. She has been a member of the Philadelphia
dance band sensation Alô Brasil since 2001, and has played and recorded with a variety of groups since 1993.
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Ron has been playing percussion since the age of seven. He was inspired by musicians who used to practice
at his brother's house, including such notables as John Coltrane and Jimmy Garrison. Ron Howerton received his music education
from the Community College of Philadelphia and Granoff School of Music. Ron began taking percussion seriously in 1980 and
studied with such teachers as: Abdu Johnson, Bobby Crowder, Orlando Floi, Skip Burton, and Airto Morena.
Ron has
appeared professionally in the United States, Europe, and Asia. He has performed in many worldwide festivals such as: Kool
Jazz Festival, New York; JVC Festival, New York; Bern Festival, Switzerland; Berlin Jazz Festival, Germany; Playboy Jazz Festival,
California; and Mellon Jazz Festival, Philadelphia. His touring engagements have been with Jamaladeem Tacuma, Minas, Spoken
Hand, Leslie Burrs, Siembra and Latin Fiesta. Among his radio and television experiences he has appeared on Temple University
Public Radio, WXPN-Philadelphia and WKDU-Philadelphia; Puerto Rican Panorama-ABC; City Lights-NBC; and Jamaladeen Tacuma Video-MTV. Ron
Howerton is versed in styles that range widely: Latin, African, Brazilian, Caribbean, and jazz. Currently Ron does many lecture
demonstrations and workshops and performs in many theater productions. As a member of the Doc Gibbs Ensemble, Ron has
been on Musicopia's roster since 2000.
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Nkruma Opare is an Akan priest, writer, dancer, poet,singer and motivational speaker.
He began his career at the age of thirteen as one of the original members of the Voices of Africa choral ensemble. He
was also a member of the childrens group Elete Egbe Omode and learned traditional African dances under dancer Obrafo
Kwabena Acheampong. He has also trained under master dancer Assumane learning traditional Senalgalese dancing and has performed
with him. At an early age he was introduced to traditional African music and dance, these rhythms have permeated his soul
and he has now returned to fully cultivate them and pay homage to his ancestors. Under the tutelage of his mother drummer and Akan priest Nana Baakan Agyriwirah he has grown
to love his African heritage and wishes to express that through song, dance and drumming. He is excited and humbled to be
part of this collaboration.
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Okomfo Akosua Nyo Is an Akan priest of the Nana Akoneddi
Shrine, Ghana, West Africa. She has studied Ballet, Jazz, African dance, as well as
acting for over 30 years. She studied African drum and percussions under Master Drummer Nana Akosua Baakan. And performed with the "Voices of Africa" Choral
& Percussion Ensemble “for 10yrs as a, singer, dancer and percussionist. As a vocalist she has performed with Songwriter Felicia Webster of
“With Love, Felicia, and recently with Poet/Spoken word artist N’Tanya Davina Stewart. Okomfo Nyo has studied
dance with Joan Myers Brown Philadanco, Hodari Banks/ Vena Jefferson, and Yeye Olori Oriyomi (MAMA YEYE). She performed with
many dance companies in and around
the Philadelphia area, Including Dr. Katrina Hazard-Gordon the Diaspora Dance Theater, Tri-State Ballet, Dr Kariamu Asante & Company.
Akosua Nyo has performed
at the Smithsonian in D.C. Universities such as Howard, Bowling Green, University of Pa, UMass, Univ. of Wisconsin at
Oshkosh as well as college and music festivals all over the United States, Toronto
and Quebec Canada, the University of Loughbrough in England and the Women’s Music
Festival in Accra, Ghana. Her theater experience includes a role in the movie
"Beloved" extra parts in “Fallen” “Snake Eyes” and the “Philadelphia Story”.
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Adrienne Hall-Cedeno
is a native of Atlanta, GA. She has been performing for 15 years and teaching professionally for 12.
Adrienne is primarily trained in modern, w. African, and afro-brazilian dance but is also skilled in ballet, jazz,
tap and hip-hop. Adrienne has studied and performed in China, West Africa, South Africa, Cuba, Brazil and
Holland. While in Atlanta she performed with the Freddie Hendricks Youth Ensemble of Atlanta, Jomandi Productions
and Total Dance/Dancical Productions. Adrienne received her Bachelor degree in Modern Dance/Dance Education
from the University of the Arts and her Masters in Education concentrated in dance in addition to her PA certification to
teach grades 7-12 from Temple University. In December 2008 she received her certification in Contemporary African Dance from
the University of Ghana in Accra. Adrienne has been employed as an Adjunct Professor in the dance department at Temple University
for 3 years. In addition to this she is also employed by the New Jersey State Council for the Arts in Education, Delaware
Institute for the Arts and Education and Rutgers-Camden Artist Community Outreach Program “as a Dance Teaching Artist
and Imhotep Charter School as a Dance Instructor. Since relocating to Philadelphia Adrienne has worked
for the Philadelphia Dance Alliance, University of the Arts, The Institute for the Development of Education in the Arts “IDEA”
and an array of dance studios in the tri-state area. Adrienne is a former Apprentice for Urban Bush Women
however she has also danced with Rhythm and Roots, Charles O. Anderson’s Dance Theater X , Troupe DA DA, Dunya/Jassu
Ballet and works as a Guest Performer and Director of Dance Education Artist in Residency program for Danse 4 Nia Repertory
Ensemble. She currently performs with Kariamu and Company, Alo Brasil and Kulu Mêlée.
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Kwesi began his musical journey in the womb, coming along with his mother Adwoa Tacheampong on many performances!
He currently is studying bata, conga, djembe agogo and sekere.
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MULTIMEDIA
...coming soon...

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